It's no deer head

It's no deer headI work mainly on raw unprimed canvas because it allows for the paint to stain the canvas. This pigment hides within the nooks and crannies of my layers, revealing itself only to those who stand a little closer. Jennifers layers are incredibly versatile: they work together to hide and reveal pigments, textures and vivid hues. This canvas packs a punch: hang this front and center for maximum effect.["Paintings"]["Jen Sanders"]

Aislinn Forbes India Ink on off white paper I am inspired by the forms and negative space created by organic objects found in nature

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["Mixed Media"

"Power" has just that -- hang it wherever you need a quiet but magnetic moment

with its ubiquity

This work comes in two sizes and would work well hung solo or on a gallery wall

The works in this series were named after the poem by Margaret Atwood called "Spelling

Grace’s prints somehow maintain a texture and three-dimensionality

Aislinn Forbes Gouache and pencil hot press paper I am inspired by the forms and negative space created by organic objects found in nature

The relationships between my brushstrokes bold shapes and delicate layers pay homage to life s jubilance Acrylic on Canvas Shaleen Garba

but to truly experience its layered depth

Jordan Grace Owens Gouache on Paper Within my kaleidoscopic compositions new shapes emerge from negative space all with an energetic mix of playfulness and tension