Farah Al Qasimi: Star Machine

Farah Al Qasimi: Star MachineAl Qasimis photographs are filled with flowers but they are rarely real. Instead, they are represented metonymically as object, ornament, pattern, and image. In a series of flower studies, their natural forms are translated materially into a glinting crystal trinket, a perishable garnish carved from a tomato or carrot, and a sugary decoration piped in pink frosting. By capturing this material metamorphosis Al Qasimi amplifies the ways in which flowers

A warm dry-down of virginia cedar wood

enhanced by the

Donegan’s painting Walka Wiru Ngura Wiru transports us across the vast desert country surrounding the Tomkinson Ranges near the artist’s home community of Kalka

a large group of women gathered at this site on their travels to the east

Baldwin escaped by joining the Marines and was immediately s hipped to North Korea in 1950

Those four bars

I have not loved (enough or worked) presents various accounts of love and longing

flora and fauna of Sri Lanka and translates these into abstract geometry to produce beautiful and useful textiles

Cheryl Donegan

This publication was produced by Yok and Sheryo in partnership with AGWA as a result of the exhibition Yeahnahnesia

in the north of the Great Sandy Desert

Please email designstore@artgallery